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This fonds consists of approximately 54,000 black and white negatives, postcards and prints, and one file of text that encompasses Hans Heinrich Maximilian (Henry) Busse's professional photographic work.

7909 images have been given full item description. Of these, the stock file consists of 4909 images that Busse may have considered important or saleable and these were arranged alphabetically by subject by the Museum of the North. Images in the stock file feature a wide range of subjects including animals, boats, bush pilots, aircraft, Dene, Inuit, and mining operations. There are also images of Coppermine (Kugluktuk), Cambridge Bay, Port Radium, Eskimo Point (Arviat), Fort Rae (Behchoko), Lac la Martre (Whati), Hay River, Fort Smith, Fort Resolution, Fort Reliance, Yellowknife and Aklavik. Another 3000 images have been selected from the entire collection and given full item description. Additional subject matter includes Yellowknife social events, weddings, sports teams and games, church activities, Yellowknife businesses, and school events. The remainder of the photographic material is as Busse left it, as photo order envelopes. These images have been rehoused, noting any information on the original envelope, and describing the number and content of the images. A large proportion of these images are studio portraits of Yellowknife residents.

The textual material consists mainly of correspondence from Busse's customers found in the photo order envelopes, as well as three certificates for photograph contest awards from 1958-1960.

An additional accession provided by an anonymous donor contains 42 prints and postcards of Aboriginal people, mostly from the Eastern Arctic.

Some photographs may be the work of Busse's business partner, Gerhard (Gerry) Reimann, or of other studio assistants.

This fonds consists of 0.6 cm of textual records, ca. 13,000 photographs (col. slides, col. negatives, and b&w negatives), and 31 reels of 16 mm film.

The textual records comprise two newsletters produced by Bern Will Brown and a series of letters written by Capt. C.T. Pederson. The newsletters give a brief overview of life in the community of Colville Lake during 1991 and 1992, including items of interest relating to various members of the community. The Pedersen correspondence is autobiographical, including reminiscences of C.T. Pederson of some of his activities in the north; the majority are addressed to Father Brown of Our Lady of the Snows Mission in Colville Lake, but one letter is addressed to Commander Ransom.

The photographs include images of a wide variety of subjects, particularly activities of the Catholic Church and traditional activities of the Dene, Inuvialuit and Inuit, including hunting, trapping and transportation. There are photos of many locations throughout the NWT as well as some locations in Nunavut, Saskatchewan, and Alberta.

The films and videocassettes include footage of dog teams, life at Colville Lake, Fort McMurray, Alberta, Aklavik, Husky Lakes, Whitefish Station, Tulita (Fort Norman), Nahanni Butte, Fort Simpson, Bern Will Brown, various Catholic priests and bishops, fishing, children at play, aircraft, construction of the mission, reindeer, whaling, trapping, hunting, church services, many local families including: Kochon, Codzi, Masuzumi, Cotchilly, Oudzi and political visitors such as Governors-General.

This fonds consists of 36 cm of textual material and 124 colour slides. The textual material is made up of 12 volumes of Harrman's journals dated August 6, 1959 to November 11, 1967, a manuscript of an unpublished story entitled "Lucy Beavertail," numerous short stories, sketchbooks, cards and personal records, including accounts. The 124 colour slides feature Rae and the paintings of Charles Harrman.

This fonds consists of approximately 22 centimeters of textual material and 19 photographs generated by the Northwest Territories Arts and Crafts Council. Included in this material are files of correspondence dated from 1975-1988, material related to a funding proposal submitted to the Department of Economic Development and Tourism, budget information, minutes of council meetings, the council's constitution and by-laws, material from the 1980 AGM in Inuvik and a copy of the Federal cultural policy review. In addition, there is material related to other Arts and Crafts organizations such as the Canadian Craft Council, Canadian Council on the Arts, Inuvik Arts and Crafts Society, Yellowknife Guild of Crafts and the Native Women's Association of the Northwest Territories. There are also copies of magazines containing articles related to the council, newspaper clippings, membership information, reports on various conferences, eight copies of "Artisan News" from 1978-1980, copies of the NWT Arts and Crafts Council Newsletter from Spring 1979 and Spring 1980, information about the design of the logo for the organization and records related to awards and exhibitions. The photographs depict arts and crafts workshops held in Inuvik and the founding members and Board of the Northwest Territories Arts and Crafts Council.

This fonds consists of 117 black and white copy negatives, 5 videocassettes in Umatic and Betacam format, 1 audio reel, 1 DAT audiocassette, 1 film reel, 1 blueprint and 1 folder of textual material. The fonds includes a variety of material relating to Sven Johansson's time in the north. These records include: a Umatic videocassette copy of Johansson's film entitled "Canadian Reindeer Project" and an audio reel containing narration for the film. The original audiocassette was copied to audio reel circa 1997. The audio reel is now the archival master. The 117 photographs show hunting and trapping activities and Johansson's boat the "North Star." In addition, there are 3 3/4" Umatic videocassettes documenting the Geological Survey of Canada charter of Johansson's boat the "North Star" in 1972 and one DAT audiocassette containing the narration for the videos. The textual material is made up of a manuscript for the choreography for the dance "Hunger," one photocopy of the typed manuscript "Canadian Reindeer Herd," both written by Johansson, as well as a copy of the Bill of Sale and Certificate of Record blueprint for the boat the "North Star." There is also a 16 mm black and white film entitled "Drum Dance" and a Betacam SP copy of "Drum Dance."

The videocassettes consist of "Birch Bark Baskets" (English version) 21 min.; "Making a Birch Sled" (Slavey version) 21 min.; and "The Spruce Canoe" (English version) 21 min. The canoe was built by Johnny Klondike. The videos were filmed by Francine Betthale, produced by the Fort Liard Band Council, and funded by the GNWT Department of Culture and Communications and Dene Nation.

Records include photographs relating to musical events in Yellowknife in the early 1980s. Subjects include the Womenfolk group performing at Folk on the Rocks and the Society for the Encouragement of Northern Talent (SENT). Other identified people include Susie Edmonds, Miriam Wideman, Moon Joyce, and Jim Green.

Records include recordings and transcripts of interviews with northern musicians that were conducted by Pat Braden as part of a project supported by the Cultural Project Contribution Program of the Government of the Northwest Territories. The objective of the project was to interview northern 'pop' musicians in order to document their experiences and gain insight into the NWT music community between the 1950s and 1990s. The musicians interviewed included Archie Loutitt, Tony Buggins, Wilf Schidlowsky, George Mandeville, Albert Canadien, Angus Beaulieu, Herbie Beaulieu, Tom Hudson, John Tees, Alex Czarnecki, Gary Tees, Ted Wesley, Kevin Mackie, John Landry, Richard Lafferty, Pat Burke, and Allen Daniels.

Records include photographs of Didi Woolgar, artist. Most date from the 1950s.

Records include photographs taken by taken by Roberta McGregor when she was the adult educator at Sambaa K'e (Trout Lake). Photographs may have been used in "community book". There are a variety of scenic shots, community activities & handicrafts. Edward Jumbo is the man preparing a birch log for snowshoes making and working on preparation of tobaggon boards. The birch bark baskets were made by Norma Jumbo.

Records consist of nine stories from Pangnirtung written in syllabics; and one file containing results of a questionnaire on the value of the magazine 'Inuttituut.' The sound recordings contain an interview with Markoosie and traditional Inuit songs and games.

Records include a script for a play entitled "Finding Franklin".

Records include photographs taken by Hilah Simmons during several family trips to the Nahanni between 1967 and 1972. The photos depict camp life and handicrafts, including the construction of and travel in a moosehide boat in 1968.

This fonds consists of 79 colour photographs that were in an album compiled by members of the Sanavisak Guild in Pine Point. The accession also contains the minutes of a meeting held on September 8, 1965 to discuss the formation of the guild; two guild newsletters, one from March 1982 and the other from 1983; and the programme for the guild's 10th Anniversary dinner and dance. The photographs document many of the activities of the Sanavisak Guild in Pine Point between 1969 and 1984. The majority of the images are well identified. Activities depicted include craft and bake sales, Christmas parties and floats decorated by the guild for the annual Pine Days parade and celebrations.

This fonds consists of 1,207 photographs, including 852 predominantly black and white negatives and prints, and 355 colour slides.

The majority of the images were taken by Erik Watt between 1950 and 1995. These images fall into two broad groups: those that Erik Watt took during his career as a journalist in the 1950s and 1960s, and those Erik took primarily in the 1980s and 1990s while he was employed in various capacities. The majority of the 1950s-1960s photographs are black and white and show locations within the Northwest Territories, however, images from northern Alberta, northern Manitoba, and northern Quebec complement the overriding theme of Canada's north. A wide range of subject matter is represented in these photographs, including: DEW line operations; educational activities; views of northern communities and people from both the eastern and western arctic; Aboriginal reserves; mining operations; church work in the north; road construction; and special functions such as the official opening of public buildings. The 1980s-1990s photographs are colour slides and primarily document mine sites and infrastructure.

The remainder of the photographs were taken by Erik's father, Frederick Watt, and date between 1929-1933. These images include the first air mail flight to Aklavik, images of floatplanes and pilots, prospecting and staking activities and the establishment of the Cameron Bay settlement and mine. Some of these images were used in Frederick Watt's book "Great Bear: A Journey Remembered".

Records include sound recordings of Dogrib (Tlicho) chants and drum dances recorded at Fort Rae (Behchoko). All three reels contain the same content.

This accession consists of one colour photograph of artist Germaine Arnaktauyok working on a painting that depicts the Inuit legend of Sedna.

Records are comprised of program guides and promotional brochures for the Great Northern Arts Festival, an annual summer event held in Inuvik. The event features fine arts, arts and crafts and music by northern and southern artists.

Photographs relate to Nicholas Tuele's work at the Prince of Wales Northern Heritage Centre. Images were taken in his role to travel to NWT communities as Museum Advisor in the early 1980s. Images depict several communities and trips that he took including visits to Kugaaruk (Pelly Bay), Tulita (Fort Norman), Délı̨ne (Fort Franklin) and Behchokǫ̨̨̀̀̀ (Rae-Edzo). Some photos are documentation of the Tłı̨chǫ Music Project.

Records consist of translations of interviews with Helen Kalvak, an Inuit artist from Holman. Born in 1901, Helen Kalvak grew up with her parents living off the land in the Holman region. Her drawings are depictions of her memories. Many are inspired by shamanism and ancient legends. It is believed that the interviews were carried out by Father Tardy, an Oblate missionary who lived in Holman for many years and who uncovered Helen Kalvak's talent. The interviews may have been conducted in the 1960s.