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The photographs in this fonds document multiple trips down the Mackenzie River (Dehcho) on both the S.S. Mackenzie River and the S.S. Distributor. The images document the communities visited along the river, and in particular the barge supply route for the Canol Project from Waterways (Alberta) to Norman Wells (NWT) and members of the United States Army 388th Engineer Battalion working on the pipeline project.

This fonds consists of 122 interpositive copies of the original photographs. Most of the images depict the Canol-Whitehorse winter road and Norman Wells. Also included are photographs of Arctic Red River, Aklavik, Fort Providence, Fort Smith and Fort Norman.

This fonds consists of 76 b&w print photographs taken by Frank Thomas Carter; five of the photos are hand coloured. The photos document Carter’s voyage to Norman Wells up the Mackenzie as well as the early stages of construction of the oil storage tanks at the Canol Project in Norman Wells during 1942-1943. The photos are numbered on the back in the order in which they appeared on album pages by the donor, Donald A. Davidson, Carter’s stepson. Overall themes include the Mackenzie River, construction, boats, camp life and the Canol project.

This fonds consists of 0.1 cm of textual records, 859 photographs (242 black and white negatives, 300 black and white prints - original masters; 766 black and white digital files (TIFF), 15 colour digital files (TIFF) - archival masters; 55 black and white negatives, 23 black and white prints - original and archival masters), 15 8mm film reels (original masters), four 16mm film reels (original masters), 19 Betacam SP videocassettes (archival masters), and one 8mm film reel (original and archival master).

The textual records consist of a membership certificate. The majority of the photographs document Sam’s life prospecting, mining, and trapping between 1930 and 1950, while a smaller selection document Sam’s nuclear family life beginning in 1952. There are five main series of photographs: work in the Great Bear Lake region with the Northern Transportation Company and uranium mines in the early to mid-1930s; gold mining, camping, and prospecting in the Great Slave Lake area in the mid-1930s through the 1940s; work on the Canol project in 1942-1943; trapping on the barren lands (tundra) of the Keewatin region near Clinton-Colden Lake and the Back River area in the late 1930s to 1950; and Sam’s nuclear family life from 1952 onwards. Communities documented in this fonds include early images of Yellowknife’s Old Town and Latham Island, Fort Franklin (Deline), Cameron Bay camps, Norman Wells, Fort Resolution, and Fort Smith. The moving images document being on the land, prospecting, and hunting between 1930 and 1960, and town and family life between 1950 and 1970.

The digital files (TIFF) are scans of the original black and white negatives, black and white prints, and colour negatives, while the videocassettes are transfers from the original 8mm and 16mm film reels, all created by Sam Otto and loaned by his son Sheldon in 2000. The majority of the originally loaned items were returned by Sam Otto's daughter Lorraine in 2015, in addition to some newly offered materials.

This fonds consists of 543 photographs, 8 audio reels, 4 DAT audiocassettes, 7 16 mm films, 8 videocassettes and 2 cm of textual material. The photographic material consists of 543 prints and negatives. Included among the photographs are black and white images taken by Richard Finnie between 1939 and 1946. Some of these images were mounted into photograph albums and feature people and scenes of Yellowknife, Fort Rae, Aklavik, Fort Norman, Norman Wells, Fort Smith and the Canol Project. This fonds also includes images taken in 1931 of people at Coronation Gulf, photographs documenting Finnie's travels in the arctic during the 1920s and 1930s that depict aspects of the fur trade, mission work, government activities in the north including treaty payments, medical treatments, transportation, communication and the life of the Copper Inuit. In addition, there are images taken by Richard Finnie during a trip to Fort Rae at treaty time in 1974. Some of these photographs were included in an article that Finnie wrote for "The Beaver", Summer 1975, entitled "Treaty Time at Fort Rae". The fonds also includes a photograph album containing 142 colour prints entitled "Canol: The Authors Photographic Post Mortem" which was compiled by Finnie from photos of his 1977 tour of the remains of the Canol project.

The sound recordings consists of 8 audio reels (original masters) and 4 DAT audio cassettes (archival masters) containing the following: Trevor Lloyd interviewing Henry Larsen and Vilhalmjur Stefansson in 1962; E. M. Weyer interviewing Stefansson in 1955; and the soundtrack from the 1962 National Film Board film "Stefansson the Arctic Prophet." The moving images consist of 7 films created or collected by R.S. Finnie; the films were copied to 8 Umatic format videocassettes. The films are: "In the Shadow of the Pole" (1928); "The Arctic Patrol" (1929); "Among the Igloo Dwellers" (1930-31); "Ikpuck, The Igloo Dweller" (highlights from "Among the Igloo Dwellers"); "Patrol to the Northwest Passage" (1937); "The Dogrib Treaty" (1939); and "Canol" (1946?). The first two films listed cover the Eastern Arctic voyages of the "Beothic" (ship), and the next two focus on the Copper Inuit. "Patrol to the Northwest Passage" depicts the meeting of the "Nascopie" (ship) and "Aklavik" (ship).

The text consists of one file containing a copy of a draft of an unpublished manuscript entitled "Canol - The sub-arctic Pipeline and Refinery Project of Bechtel - Price - Callahan for the Corps of Engineers, U.S. Army 1942-1944."

This fonds consists of 132 colour slides of Camp Canol. Included in the images are winter and summer scenes, views of buildings and equipment, and scenes of the camp being burned.