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Replica of a Inuvialuit (Siglit) bow (top) by Don Gardner (Oldways, Calgary). Bottom is a harpoon by Charles Komeak made while taking a heritage training component on traditional technology facilitated by Don Gardner for the PWNHC. Tuktoyaktuk, 1993. Photographer unknown, PWNHC TTKP

Three harpoons. The top one is a replica of a type of traditional harpoon and the middle and bottom ones in use in Tuktoyaktuk, 1993. The traditional harpoon was made by Charles Komeak during a heritage training component on traditional technology that was facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Photo by Elisa J. Hart, PWNHC TTKP

Three harpoons. The bottom one is a replica of a type of traditional harpoon and the middle and top ones with floats in use in Tuktoyaktuk, 1993. The traditional harpoon was made by Charles Komeak during a heritage training component on traditional technology that was facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Photo by Elisa J. Hart, PWNHC TTKP

Top: A replica of a traditional style harpoon head by Don Gardner (Oldways, Calgary). Middle and bottom: A harpoon head and foreshaft made by Charles Komeak during a heritage training componenet on traditional technology facilitated by Don Gardner for the PWNHC. Bottom: Replica of an Inuvialuit (Siglit) bow by Don Gardner. Taken in Tuktoyaktuk, 1993. Photographer unknown, PWNHC TTKP

Top: A harpoon head and foreshaft made by Charles Komeak during a heritage training componenet on traditional technology facilitated by Don Gardner for the PWNHC. Bottom: Replica of an Inuvialuit (Siglit) bow by Don Gardner. Taken in Tuktoyaktuk, 1993. Photographer unknown, PWNHC TTKP

Replica of a Inuvialuit (Siglit) bow (top) by Don Gardner (Oldways, Calgary). Bottom is a harpoon by Charles Komeak made while taking a heritage training component on traditional technology facilitated by Don Gardner for the PWNHC. Tuktoyaktuk, 1993. Photographer unknown, PWNHC TTKP

Replica of a Inuvialuit (Siglit) bow (top) by Don Gardner (Oldways, Calgary). Bottom is a harpoon by Charles Komeak made while taking a heritage training component on traditional technology facilitated by Don Gardner for the PWNHC. Tuktoyaktuk, 1993. Photographer unknown, PWNHC TTKP

Three harpoons. The bottom one is a replica of a type of traditional harpoon and the middle and top ones with floats in use in Tuktoyaktuk, 1993. The traditional harpoon was made by Charles Komeak during a heritage training component on traditional technology that was facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Photo by Elisa J. Hart, PWNHC TTKP

Three harpoons. The top one is a replica of a type of traditional harpoon and the middle and bottom ones in use in Tuktoyaktuk, 1993. The traditional harpoon was made by Charles Komeak during a heritage training component on traditional technology that was facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Photo by Elisa J. Hart, PWNHC TTKP

Ralph Kimiksana working on a recreation of traditional clay oil lamp like those that he saw when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The work was facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Sand in the tub and ground charcoal was added to the clay mixture. This attempt was not kept but reworked into another shape. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Don Gardner (Oldways, Calgary) rubbing ash mixed with beluga oil on the outside of a recreated clay oil lamp. This was the first of two lamps made with Ralph Kimiksana. A second lamp was made with a better shape, Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Don Gardner (Oldways, Calgary) rubbing ash mixed with beluga oil on the outside of a recreated clay oil lamp. This was the first of two lamps made with Ralph Kimiksana. A second lamp was made with a better shape, Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Practising with the clay used to recreate a traditional clay oil lamp by Ralph Kimiksana (hands shown) and facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Ralph was trying to make a lamp like those he'd seen when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The shape shown here was later changed. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Practising with the clay used to recreate a traditional clay oil lamp by Ralph Kimiksana and facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Ralph was trying to make a lamp like those he'd seen when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The shape shown here was later changed. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Don Gardner (Oldways, Calgary) rubbing ash mixed with beluga oil on the outside of a recreated clay oil lamp. This was the first of two lamps made with Ralph Kimiksana. A second lamp was made with a better shape, Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Ralph Kimiksana working on a recreation of traditional clay oil lamp that he made with Don Gardner (Oldways, Calgary) on a heritage project with Elisa Hart (researcher, PWNHC). He is rubbing ash mixed with beluga oil on the outside of the lamp. This was the second and final lamp made and it had a better shape than the first try. The lamp is stored at the PWNHC in Yellowknife. Photo taken in Tuktoyaktuk, 1993 by John Poirier, NWT Archives/TTKP

Ralph Kimiksana working on a recreation of traditional clay oil lamp that he made with Don Gardner (Oldways, Calgary) on a heritage project with Elisa Hart (researcher, PWNHC). He is rubbing ash mixed with beluga oil on the outside of the lamp. This was the second and final lamp made and it had a better shape than the first try. The lamp is stored at the PWNHC in Yellowknife. Photo taken in Tuktoyaktuk, 1993 by John Poirier, NWT Archives/TTKP

Practising with the clay used to recreate a traditional clay oil lamp by Ralph Kimiksana and facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Ralph was trying to make a lamp like those he'd seen when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The shape shown here was later changed. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Supplies and first attempt at making a traditional clay oil lamp. It was made by Ralph Kimiksana and facilitated by Don Gardner of Oldways for the PWNHC. Ralph was trying to make a lamp like those he'd seen when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The shape shown here was later changed. The sand and ash shown here were added to the clay. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP

Practising with the clay used to recreate a traditional clay oil lamp by Ralph Kimiksana (hands shown) and facilitated by Don Gardner of Oldways (Calgary) for the PWNHC. Ralph was trying to make a lamp like those he'd seen when growing up in the Cape Bathurst (Avvaq) and Stanton (Qikuliurvik) areas. The shape shown here was later changed. Tuktoyaktuk, 1993. Photo by John Poirier, NWT Archives/TTKP